8月22日practica 講義:Ray分享的Salsa基礎A,B,C @ 台北的拉丁舞/Salsa舞Vlog :: 隨意窩 Xuite日誌
  • 從事設計專業之餘,在台灣推廣 reusable、模組(modular)系統已經十年,知道的人還是不夠多,運用在環境設計或藝術創作的更少。所以近年來加緊「形與空間」知識的普及教育,用類似科普的手法來提昇大眾的空間解讀力,我認為這是進一步談「空間美學」的基礎。 Zome 兩岸師資培訓/授証招募中,現任教師或師範畢業班可快速升級自身教具/教法,成為有能力開發跨域教案、培訓同城師資的「空間達人」!

    這裡的日誌以分享影音信息、社群活動新聞為主,權充習舞同學及台灣 Salsa Community 的福利報,希望後來者有好的習舞、練舞、飆舞的環境。

    我的Spaces網誌範圍則較寬闊(以環境、空間學為主要興趣),有點像平日閱讀、巡網的剪貼筆記。我原來架在 lycos免費空間的「頂點空間網」自2006年因網站硬體故障已經掛點,現在利用Live Space 的 My Live Space留言板作為台灣 Zometool 玩家的討論區。

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    2006-08-25 02:11 8月22日practica 講義:Ray分享的Salsa基礎A,B,C
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    我要評分:

    Ray's notes on basics of dancing salsa
    Revised, 2007.6.13

    A. Music

    - To find the beat "1" or "5", try to find the conga (?) sound "pa-pa", which is always on 4 or 8. This is also the sound for "cha-cha" in Cha-cha.

    - Clave (normal) is on 2, 3, 5, 6-1/2, 8.


    B. Individual body motion

    - Feet: Slightly turned out but never in. Keep them close and the steps small. Concentrate more on controlled body-center movement than feet movement.

    - Body: 膝蓋微屈,沉肩墜肘,正脊鬆腰;重心控制在腰腹,步伐移動若滑行。With these, the body motion should be smooth and steady; it can sometimes feel like gliding, but never hopping.

    - Steps patterns: For the guy, it starts with left-right-left on 1-2-3 and feels like quick-quick-slow (or quick-quick-quick on 1-2-3 plus tap/stop on 4 with the left foot), and then right-left-right on 5-6-7. For the lady, it's the opposite.
    * Break on 2: two steps (1-2) in the same direction before stepping into original position on 3. Guys start stepping back with left on 1.

    - Turns: Step on the beats to avoid rush. Do the full step forward on 5 before the lady turns on 6. Concentrate on your pelvis if there is trouble of unbalance; do not focus on your raised elbows (undesired anyway).


    C. Partner dancing

    - Resistance: Keep the right amount of (constant) opposite energy, and thus the frame firm while still bouncy. (鬆而不軟,緊而不僵﹞

    - Body leads body (for the guy)! And let the guy leads your body not just your arm(s) for the lady (arms don't move away from body)!

    - Followers only react! Always find the most comfortable body position within the frame set by the leader, and be prepared for the next move in all directions.

    - Both work on keeping the follower moving on a straight line.

    - Both work towards staying close to each other.

    - Turns: Shoulders down, elbows in; get into this frame and keep it through the turn, which should be done on your own pelvis without pulling the partner's hands. (And these are the tricks for you to keep on the straight line and stay close to the partner.)


    Conclusion: With proper body posture and the right amount of resistance, we try to manage 引而不發,好整以暇,以至遊刃有餘。Music is actually between the notes (of 1-2-3-4). Enjoy the process in details!
    Exercises: CBL, open break (引而不發), lasso, CBL with inside turn, shoulder check with outside turn, copa.

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